Languages, Scripts and Sharda
- Dr. R.L. Bhat
Language and culture-speech and society-are the
two essential of being human. Language precedes culture being coeval with the
origin of man. Probably, it has taken man the whole of the 10 million years, he
has been around, to pattern and modulate his speech into language, but the
effort has been spectacularly fruitful. Man, has accumulated a rich inventory of
languages whose number is reckoned at 2796. And, this number is the accepted
minimum while the maximum number of tongues is put close to 5000. Many of the
languages are spoken by very few people, and then over half of the languages may
be actually dead!
In the classification of languages the
distinction between the language and dialect is very crucial. Even seemingly
uniform language, includes subtle variations from region to region. It is said
that a language changes after every 50 km. Many would call these 50 km variants
dialects. Thus the Chinese, which claims a sixth of the humans as its speakers
is actually an aggregation of numerous dialects, many of which have a claim to
be called languages in themselves. So is the case with Hindi. These variation
are important from the points of view of understanding Kashmiri language and its
script, in that they underline the fact, that minor variations in life-style,
group behaviour culture, even geographic situation leads' to subtle changes in
intonations. The stress on certain portions, sounds, is emphasised, while that
in other parts is overlooked. Nuances of synatax change, and expressions assume
peculiarities. In the course of time, the language takes a new form. It becomes
a new language. Thus through a number of changes (approximately four) the
language of vedic aryans has given birth to the scores of languages now spoken
from Assam to Athens on to America. And everywhere these have spawned types and
sub types.
So did the scripts. Technically, anything that is
capable of being a medium for expression of a language is a script. It may even
be a body gesture, knots upon a rope (used in certain South American languages)
pictograms (the famous Egyptan heirlogyphics) figures (the chutches of 0 and 1
and used in computer language) and of course, the familiar alphabets. Like
languages, the scripts developed by man for denoting languages, attest to the
fecundity of human ingenuity. It has been said that all the languages are
equally old. That is to say that all the root-languages have developed around
the same time. They must have, for any animal that was human was to have a
language. It would not be plausible to say, for example, that the Aryan
language, is older than that of a tribal group who lived upon an isolated
Carribbean island, because humans belong to a single zoological species and are
an interbreeding group. The same, however, cannot be said of scripts. Some
linguistic groups, developed scripts, which in turn spawned new scripts while
some languages and still without a scripts.
The scripts in use at present can be classed into three
broad classes: Chinese, Semitic, and Brahmi. Chinese is the script used for
Chinese (Mandarin) Japanese and Korean group of languages. This is an abstracted
pictorial script, in which word-concept complexes are represented by a specific
shape called character.
Unlike the Semitic and Brahmi scripts, Chinese script
is not alphabetic. The symbol character is a notation for a full word. Two
characters, can however, be joined, and written in association to denote a
different concept. Semitic and Brahmi scripts are alphabetic scripts. The
symbol-i.e. alphabet is given a certain sound and words are then denoted by
associating together the appropriate sound-bits. The alphabets by themselves are
meaningless. They become meaningful only when joined with others, to denote a
word. This is important from our stand point in that, the alphabets that are
joined to denote a word, must actually express the intended sound bits or it
becomes an incorrect representation. Thus though English and Russian scripts are
of the same origin, it is not feasible to write the latter in Roman script
because the sound bits peculiar to Russian tongue are not present in Roman
script. Nor can the Russian scripts be a correct medium for English and Italian
languages.
It is still a moot point, which of the two scripts is
older. Semitic group, has been considered older because the earliest
recorded sample script date to around 1500-BC, while that of Brahmi are of about
500 BC. But that is fragile evidence. Rigveda records that figures from one to
eight were written on ear-flaps of cows. Semitic script originated in Israel. It
passed through two branches, the northern and the southern. The northern semitic,
spread to Syria, Pheonicia etc, and gave rise to three important types, Aramaic,
Hebrew and Pheonician. The Pheonician around 800 BC spread to Greece and there
gave rise to the Greek script, which became the base scripts for the Latin
(Roman) and other present day European scripts. The southern branch (which some
consider an independent line), spread to Arabian peninsula and on to northern
Africa. The Arabs however, adopted the Aramaic scripts around the first century
AD. From it developed two scripts Kofi and Nasakh. Around the beginning of
Christian era, Nabti tribe, living in the northern Arabia, adopted Aramaic
script. This is called Nabti. From another branch of Aramaic rose modern Hebrew.
Nabti scripts developed into Kofi and Nasakh scripts, which were to become
mother scripts of half a dozen scripts including Arabic and Nastalique.
Kofi/Nasakh did not employ any dots in the beginning.
Dots were introduced around 500 AD to represent some more sounds. These closely
resembling scripts, spawned further script patterns. Kofi, developed into Salas,
Toqeh, Rakah, Mahqeq, and Rehan. Nasakh became florid and embellished as Gulzar
and Gubar. Around 1000 AD, Toqeh and Mahqeeq, were combined to yield Taliq
scripts. Around the time of Timur, Nasakh and Talique scripts were intermixed to
yield Nastalique. At the same time four more alphabets 'Pey', 'Cheem', 'Tsey',
and 'Gaff' were added to it. The original Aramaic contained only 22 alphabets;
with dots, the number in Kofi/Nasakh was raised to 29, which is the alphabet
number in Arabic. Nastalique contained around 37 alphabets, and scope for some
more derivatives to denote aspirated sibtants. This Nastalique, is the script,
which is used for Persian and Urdu languages. It has been adopted with a few
modifications as a script for Kashmiri tongue, though Kashmiri had an
appropriate and precise script of its own in Sharda, which was developed, along
with the language, from Brahmi script.
Brahmi, is the script that evolved in Indian
subscontinent. As mentioned earlier, its earliest samples were dated to 5-6th
century AD. The reference, in Rigveda, takes it a thousand years back, to the
just a little anterior (1500-2000 BC) to the time assigned to the origin of
Semitic scripts. That makes Brahmi contemporarneous, if not antecedent, to the
semitic script. Brahmi, however, is a much advanced script. Phonetically the
alphabet is very apt, and precisely classified into different sound clutches
emanating from a particular oro-pharyngeal region. Its vowels are well classed,
very advanced and appropriate. As a result it has always been believed that it
must have originated from some more primitive form. In absence of any other
script, a loose conjecture placed semitic as its base,but every naunce of
linguistics refuted the supposition. The question was left open. It is still
open, but the recent decipherment of Indus Valley seals has changed the whole
picture and perspective, not only of the Brahmi script, but also the ancient
Indian history. The inscriptions upon the seals have been found to be vedic
language, which makes Aryans and Indus Valley people blood-brothers not
antagonistic foes. For the Brahmi script, it gives a possible origin, which
would now date to the days of Egyptian heirogyphies oreven earlier to 3000-5000
BC!
Indus seals could also possibly give a better
explanation of Khroshti script. Khrosti script, belongs to the same period as
Brahmi. It had 37 letters of which 24 resembled Brahmi. Of the rest, a few
(supposedly 3) seemed to resemble the Semitic script, on which basis it was
classed as being derived from Semitic. Kroshti, did not flourish and shrank.
Brahmi, is the script of rock eddicts of Ashoka. Around the time of the
birth of Christ, Brahmi evolved into five man branches; Northern, North-Western,
Western, Southern and Eastern. These became the mother scripts from which the
modern Indian scripts developed during the next thousand years. These branches
largely corresponded to the Upbramshas that were spoken in these different
geographical areas about the time of Gupta kings. Upbramshas, was the
'corrupted, impure' language into which the earlier Prakrit had 'degraded.'
Prakrit itself was a the language, into which the earlier tongue Palli had
'degenerated' about the time Christ was born. Palli, of course, was the off
spring of Sanskrit that had replaced the latter as language of the people around
Buddhas time. Thus linguistically Sanskrit, moulted and moulted, to give rise to
Upbramashas, while the Brahmi script diversified into five regional variants.
Upbramasha that was spoken in the North-Western regions
of India, (Punjab, Jammu, Himachal and the Northern parts of present day
Pakistan) gave rise to the languages spoken in these areas now North Western
Brahmi was the script in which this Upabramasha (and the earlier Sanskrit, Palli
etc) of these areas was written. Around 10th century AD the languages Kashmiri,
Dogri, Punjabi etc began to evolve in the different parts of this area. During
this time the N-W Brahmi also changed shape and gave rise to a slightly
different , and advanced, form called Sidd-matrika. (Sidd-matrika, was the lipi,
used in Kashmir during Lalita Datta's (699-736AD) time). This, latter half
of the first millenium AD is the time when the modern Indian languages were
evolving. With the linguistic evolution, they were remoulding reshaping and
adapting the regional variants of Brahmi to fashion appropriate phonetic symbols
for their respective spoken tongues.
In the evolution of the languages and at of scripts, it
is pertinent to note that while languages evolve naturally helplessly without
any will or determination on the part of their speakers, the scripts are
fashioned actively by the speakers of the language, and constantly modified to
come up with the most appropriate medium. During this developmental journey, the
scripts are altered bit by bit, little by little. They continue to resemble the
original ones, till the accomulated atterations become great enough to give them
a distincts designation. At that stage, it is given a distinct name.
Sidd-matrika, continued to be the script in Kashmir in the 10th century. It
continued to change. By the turn of the millenium it had been transformed to
Sharda. By the turn of the millenim the languages spoken by the people of
Kashmir had also become distinguishable as Kashmiri. About the time, that NW
Brahmi in its Sidd-matrika avtar was being transformed into Sharda, Devnagri was
being fashioned from Northern Brahmi, and Oriya, Bengali, Assamese scripts were
being moulded from Purvi-Brahmi scripts. Having been derived from the same root,
they retained a broad similarlity, but the phonetic designation of the alphabet
varied. The N-W. Brahmi, evolved into Sharda Gurimukhi, and Lunda scripts. These
resembled the alphabets of the scripts of farther regions, but the resemblence
amongst themselves was greater. Yet they were different. Though the morphiums,
i.e. the shape of alphabate, resembled the phonetic designation of the alphabet
differed. This difference was vastly greater in case of sounds assigned to the
svars or vowels. These latter, infact, give these scripts their characteristic
distinctiveness.
Though both Semitic and Brahmi (and the respective
scripts derived from them) are alphabetic, there is a sea of difference between
them. The former is a confused clutch where the vowels and consonants are
jumbled together. More imporantly, the consonants in Semitic, and its derived
scripts, are not pure sounds. 'Aay, Bee, Eff, Pee, Dubliew, Alif Cheem,' do no
carry this sound'-desingation into the word, but only a part of it. Thus 'Cheem',
gives only, 'che' sound to the word, and 'eff' gives only 'fe' sound. On one
hand this sound can't be further shortened, and secondly the vovel added becomes
an addition not a root modifier. Like 'F+A+T= fe+ae+te=fat'. Generally, the
consonents represent a single sound-bit, but the phonetic value characterised by
the same vowel may take many different sounds eg the 'a' in words 'fat, fate,
far, fare, fall'! In an established script say English in Roman script, this
variation has got fixed through long usage, but the problem becomes alarmingly
confounding when, say you begin to write (anew) Kashmiri in Roman script:
which 'a' to use for what sound'
The phonetics of Brahmi and its derived scripts is
scientific and precise. The vowel sounds are fixed, unchanged. One sign
designates one and only one sound. Its consonants by themselves are soundless,
and get sound only when svar (vowel) is added to them. As such each vowelled 'vengen'
is precise in intonation. This scheme is carried into Sharda. Sharda, however
has its svar-mala pecularised to the Kashmiri intonation, since it has been
developed as the Kashmiri language evolved eg. the (Aa) of Sharda is shooter,
its (Oow) is vov.' Kashmiris do not say 'Omkar' they say 'voimkar'. They don't
say 'ustad' (as the Persian/Urdu word is) but 'Vustad', 'Eh-San' becomes 'yeeh-saw'.
Good or bad that is a linguistic pecularity. No scripts other than Sharda takes
these pecularities into account. Nor can, because its sound assignations are
different. Sharda in turn would not represent the phonetic characteristics of
say Punjabi or Sanskrit with any accuracy.
It is wrongly believed by some people that Sharda is a
script of Sanskrit. Sharda evolved when the language of Kashmir was passing into
Kashmiri, with its peculiar intonations, variations and sounds. As a result,
Sharda got imprinted with these vocal pecularities. And, became unfit for
Sanskrit. Sharda, however, continued to be used for writing Sanskrit in Kashmir.
But Sanskrit is a language that lays emphasis on the sound of each alphabet. The
Sanskrit of Sharda script, became a different Sanskrit, understood in, writing
but un-understandable in speech. No Kashmiri can prounce Sanskrit correctly,
unless he/she takes special instruction in Devnagri script. Because, Sharda is
not Devnagri.
Apart from its mis-use as a lipi for Sanskrit, Sharda
has suffered another handicap. The long centuries, of Persian speaking Moghul
rule and pushto spewing Afghan enslavement, forced Kashmiris to love and like
the foreign Semitic scripts and to abhor Sharda script for writing Kashmir. Till
14th-15th Century AD even Tombstones wer inscribed in Sharda. People
irrespective of relgion spoke Kashmiri and signed their names in Sharda, as the
15th century, will of Makhdoom Sahib bears witness to. By the end of 16th
century Kofi and Nasak variants of Aramic script had nugded in, into the
tombstone inscriptions, though Sharda still existed side-by-side. That was the
beginning of Moghul rule. Sharda, was pushed under and people Hindu and Muslims,
learnt, read and wrote in Nasak, Nasatlique and other offshoorts of the Semitic
scripts to ingratiate themselves with the rulers. None of these is suited to
writing of Kashmiri, but the slanted visions have willed these inappropriate
scripts upon the Kashmir tongue. That, it results in misleading scripts and mis-reading
of manuscripts, unfortunately, seems to bother none.
Source: Kashmir
Sentinel
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