Selected Press Comments
Kashmir in Hyderabad
The strong point in the production is music both vocal and instrumental. The
voices were dramatic and melodious - and Kailash Mehra topping them all.
- The Pallavi, Secundrabad, 1979
Light Music Forte of Jammu & Kashmir Group
The best part of the 120 minute show was some songs, the Ghazal light &
melodies rendered by Kailash Mehra making an instant impression.
- Deccan Herald, January 21, 1979
An Unforgettable Evening
Ravindra Kala Kheshetra perhaps has never been so over-flowing and has certainly
never been a scene of more resounding cheers. It was none of the performances of
the Kashmir Cultural Troupe. As soon as Sh. D. Devaraj Urs, the Karnataka Chief
Minister entered the hall, Miss Kailash Mehra started singing a popular song by
the famous Kannada poet, Dr. D. Dendra. Her rendering of the difficult rhyme,
her flawless Kannada pronounciation and her litting sweet voice, took audience
by complete surprise - though entirely pleasant one. Miss Mehra had picked up
the tune and the song in just one day. It was appropriate that the Chief
Minister paid the handsome compliments to the artist and said that it was a
heart warming gesture on behalf of the people of picturesque Kashmir.
- The Daily Salar, Bangalore January 29, 1979
As the essence of soulful singing of Kailash Mehra percolated deep inside,
the listeners enjoyed every bit of the "SANGEET SANDHYA" organised in
the lawns of Dogri Bhavan yesterday. The remarkable aspect of the singing was
that not only was the singer perfect in her singing but she sang the songs
written by eminent Dogri poets, writers and literature. The evening provided
some memorable events to the listeners, their body, heart and soul responding
with an unbelievable degree of appreciation. Kailash Mehra captivated the
audience with her magical spell. Her songs not only mesmerised the audience but
also made the listeners nostalgic about their Dogra culture and the ambience of
rural areas where real art still breathes.
- The Kashmir Times, Jammu, October 23, 1994
Scintillating 'Sangeet Sandhya'...
.. duet with the melody queen Kailash Mehra in K. S. Madhukar's song 'Jobne
De Din.' The feelings and emotion of a withered heart were expressed in
captivating voice of Kailash Mehra. Amar Singh Adil's song 'Jindua Da Paar
Mere Thuwa Nai Chukonda' was very softly sung by Kailash Mehra and touched
the chords of the heart.
- The Kashmir Times, Jammu, July 12, 1996
Bhajan Sandhya, ...
In her melliflous voice, Kailash Mehra's song 'Simeran Kar Le Mere Manna',
the Bhajan evoked unbelievable response from the audience.
- The Kashmir Times, October 6, 1996
An evening of wholesome entertainment Kailash Mehra delighted the audience
with her beautiful recital of the Ghazal 'Satayaen Ge Jab Unko Gham Dheere
Dheere Unhe Yad Ayange Hum Dheere Dheere' by Betab Merath.
- State Times, Jammu, January 1, 1997
Entertaining Programme by J&K Troupe
The biggest saving grace of the programme was Kailash Mehra. Her rendering of
Maqdoom Mohi-Ud-din's Ghazal 'Zindagi Motiyon ki Dhalakti Lari' and
a Bhajan to Shiva were superb. Kailash Mehra is talent to watch.
- The National Herald, New Delhi, February 05, 1997
Heart touching ghazals mark Sham-e-Ghazal
Kailash Mehra, the only female artist came on the pedestal with Mahir Ratlami's
'Hazar Gam The Meri Zindagi Akeli Thi' which brought cheers quite often
from the crowd as well as the CM also who seemed enjoying every moment by
acknowledging every 'Sher' spoken.
- State Times, December 12, 1997
Soulful evening of ghazals
Credit for organizing such a lively Sham-e-Ghazal goes to J&K Cultural
Academy. The singers of the evening Jeevan Sharma, Sham Sajan, Kailash Mehra and
Vijay Malla captivated the audience. The scintillating Ghazals were impressive
and on varied ethos of life.
- The Kashmir Times, Jammu, December 12, 1997
Farooq celebrates his re-election with Sham-e-Ghazal
The truth of life and death was highlighted in the ghazals prersented by Kailash
Mehra. Her presentation of Mahir Ratlami's lyrics 'Hazar gam the meri zindagi
akeli thi/Khushi jahan ki mere waste paheli thi' created a serious
atmosphere in the auditorium.
- The Indian Express, December 12, 1997
Ghalib still relevant in contemporary world: Qayoom
Kailash Mehra and Sham Sajan regaled the distinguished audience by rendering
Mirza Ghalib's Ghazals in their enthralling voice. Captivating the listeners
with Ghalib's Ghazal 'Dil Hee To Hai - Royae Aae Gae Ham Hazaar Baar, Koyi
Hamae Satayae Kyon --'. Kailash Mehra created the aesthetic aura. She sang
another of Ghalib's Ghazal 'Koi Umeed Nahi Aaati - Koi Suraat Nazer Nahi
Aaati -- Needh Kyo Raat Ber Nahi Aaati --'.
- The Kashmir Times, Jammu, December 30, 1997
Day long Ghalib bi-centenary celebrations by cultural
academy
In the afternoon session Mehfil-e-Ghazal was organised in which State knowned
artists Kailash Mehra and Sham Saajan presented Ghazals which included 'Dil
Hi To Hai Na Sango Khisht', 'Koi Umeed Bhar Nai Aati' written by
Ghalib.
- State Times, December 30, 1997
A captivating Ghazal evening
Kailash Mehra also enthralled the audience when she sang in Dogri 'Dile di
gal unde ne kara Jande ta changa ha,' and Ghalib's 'Koi umeed bar nahi
aati/ koi surat nazar nahi aaty.'
- The Indian Express, December 30, 1997
In chaste Urdu, Sushma ....
While a group of the displaced female artists, specially brought in from Jammu
by Cultural Academy, presented a mesmerising Hafiz Nagma, Jehan Ara Janbaz,
Kailash Mehra and Shameem sang the best of their numbers. Composed by Bhajan
Sopori, almost all the numbers drew thunderous applauses and even standing
ovations from the audiences.... Kailash Mehra's 'Madno lolek aalau baway,
hawai dilki hall' was equally liked by the audiences.
- Daily Excelsior, July 2, 1998
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